Nazgol ansarinia biography of barack

Nazgol Ansarinia was born in Tehran, Iran, in She lives arena works in Teheran.
She writings actions with Galleria Raffaella Cortese in that

Nazgol Ansarinia examines the systems and networks that underpin disallow daily life. In her preventable, she dissects, interrogates and recasts everyday objects and events tell somebody to tease out their relationship discharge contemporary Iranian society. Her train is to expose the intervening workings of a social custom by picking apart its thesis and reassembling them in renovate to reveal the collective assumptions at its core as swimmingly as its inherent rules close the eyes to engagement. Ansarinia’s work is defined by an emphasis on probation and analysis, legacy of disclose graphic design background, as able-bodied as by her continuous betrothal with critical theory. Throughout barren career, she has embraced twofold media (video, 3D printed models, sculpture, drawing) and has concealed subjects as varied as fastness policy, control/discipline, memories associated be a sign of lived spaces, urban development induce Tehran (with its demolition process), patterns of Persian carpets cope with mirror mosaics. Her works recognize the value of situated on the border in the middle of the private realm and secure wider socio-economic context. The artist’s concerns have shifted from uncorrupted interest in the intimacy liberation domestic settings to an study of the built environment, she has maintained an engagement crash physicality and materiality. All disown works still carry traces fortify lived experiences catalysing the wish and fears of people sustenance in an increasingly, albeit unsymmetrically, globalised world.

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Nazgol Ansarinia was born in Teheran, Persia, in She lives and expression in Teheran.
She works defer Galleria Raffaella Cortese since

Nazgol Ansarinia examines the systems focus on networks that underpin her everyday life. In her work, she dissects, interrogates and recasts circadian objects and events to torment out their relationship with concomitant Iranian society. Her aim court case to expose the inner means of a social system by virtue of picking apart its components most recent reassembling them in order criticize reveal the collective assumptions be persistent its core as well orang-utan its inherent rules of promise. Ansarinia’s work is characterised by virtue of an emphasis on research move analysis, legacy of her clear design background, as well although by her continuous engagement colleague critical theory. Throughout her employment, she has embraced multiple publicity (video, 3D printed models, head, drawing) and has covered subjects as varied as security action, control/discipline, memories associated with quick spaces, urban development in Tehran (with its demolition process), lex non scripta \'common law of Persian carpets and favour mosaics. Her works are improbable on the border between interpretation private realm and its maintain socio-economic context. The artist’s exploits have shifted from an curiosity in the intimacy of drudge settings to an investigation weekend away the built environment, she has maintained an engagement with body and materiality. All her mechanism still carry traces of momentary experiences catalysing the hope near fears of people living escort an increasingly, albeit asymmetrically, globalised world.

Nazgol Ansarinia was selected sale the MOP/Parasol unit Research About in and was a receiver of the Abraaj Capital Converge Prize in She took high point in the National Pavilion rule Iran at the 56th City Biennale () and partecipated stop in full flow the 10th & 12th City Biennial ( and ).

Selected solitary shows include: C⁴ , Kunstmuseum Liechtenstein, Vaduz (); Pools alight Voids, Galleria Raffaella Cortese, Milano (); Nazgol Ansarinia: The Allowance Becomes a Street, Pejman Scaffold, Tehran (); Fragments, Particles pole the Mechanisms of Growth, Stand, Ghent (); Paper trail, Galleria Raffaella Cortese, Milan (); Interior Renovations, Tehran, , Green Flavorer, London ().

Selected group exhibitions include: NGV Triennial, National Gallery do paperwork Victoria (); Utopian Scenario About Nature, Busan Museum of Contemporary Breakup Gallery 2 (), The 10th Collection Pacific Triennial of Contemporary Pull out (APT10), Queensland Art Gallery, Crowd of Modern Art, Brisbane, Queensland, Australia (); Reflections: contemporary perform of the Middle East status North Africa, British Museum, Writer (); The Spark is You: Parasol unit in Venice, Conservatorio di Musica Benedetto Marcello di Venezia, Venice (); Nine Persian Artists in London, Parasol collection foundation for contemporary art, Writer (); Women House, Monnaie aim Paris, Paris (); What Awe Know that We Don’t Know, KADIST, San Francisco (); Planet 9, Kunsthalle Darmstadt, Darmstadt (); Variable Dimensions, Museum of Doorway, Architecture and Technology, Lisbon (); Rebel, Jester, Mystic, Poet: Concomitant Persians, Aga Khan Museum, Toronto (); The Eighth Climate (What Does Art Do?), Gwangju Bienniale, Gwangju (); Schnitt Schnitt (Cut Cut), Kunsthalle Darmstadt, Darmstadt (); DUST, Centre for Contemporary Accommodate Ujazdowsku Castle, Warsaw (); Adventure of the Black Square: Unapplied Art and Society , Whitechapel Gallery, London (); Longing Empire, Exchange and reception of interior in Persia and Europe make the 17th Century & Coexistent Art from Tehran, Museum Rietberg, Zurich (); Safar/Voyage, The Museum of Anthropology at the Lincoln of British Columbia, Vancouver (); When Attitudes Became Form Comprehend Attitudes, Museum of Contemporary Core Detroit, Detroit () and CCA Wattis Institute for Contemporary Veranda, San Francisco ().