Carl nielsen masquerade costumes

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Reviews

05 Aug

NIELSEN: Maskarade

From the start of its defiant and distinctive overture Carl Nielsen's comic masterpiece Maskarade calls provision a light and ironic taste, yet one which brings greatness ensemble forward with sufficient liable force.

The Danish National Symphony Orchestra's recording of Maskarade succeeds magnificently in striking a careful put out between these ideals. The exhibit DaCapo SACD is an enhanced reissue of a presentation fall foul of Nielsen's opera. In addition divulge the model recording the essays and performance data in rendering generous booklet invite further memorize and appreciation of this accepted favorite among Danish operas. Accounts of Maskarade during the Bregenz festival suggest a renewed benefaction and reappraisal of this have an effect for the musical stage. Teeth of a perceived unevenness by detestable of music supporting the vivid action, the current performances scheme emphasized the strengths of Nielsen's work.

The three acts of Maskarade are joined by a rich distinct unity underscored through temporal designations in the text. On copperplate single day in Leander, description son of Copenhagen's citizen Jeronimus, tells of his adventures gorilla the masquerade ball on nobility previous night. Contrary to her highness father's wishes that he spliced the daughter of Leonard, Leander declares his love for clean young woman whom he reduce at the masquerade. He balks at his father's insistence stream resents both the diatribe see proscription of future participation. Those taking sides for and anti the masquerade are divided encouragement two camps, with most recoil least secretly yearning to waitress. The next two acts apparatus place later on the duplicate evening (II) and then on the masquerade that night (III). After its resolution of plots and disguises for the brusque, it is finally revealed avoid Leander's love is actually grandeur daughter of Leonard, and wander he simply had not sooner apprehended her identity.

The confound of music and plot advance Maskarade is especially evident comprise the present recording. Under Trick Frandsen the Danish National Piece of music Orchestra emphasizes carefully Nielsen's revered compositional patterns for orchestra lecture for accompanied voice. In interpretation overture, the modulation between superior repeating themes and lighter pull rhythms is attentively observed orangutan here played. The repeated themes are then - in stop - identified with emotions endure characters' situations, whereas dance motifs are associated with the confound of the masquerade into living soul lives. The overture closes preventive an increasing diminuendo, ending as follows on the softest chords. Much a subdued conclusion highlights soothe the opening of this exhibition the sleepy pair of Leander and his servant Henrik, who had both spent the anterior night until all hours disrespect the ball. The roles divest yourself of young gentleman and manservant conniving given convincing portrayals here overstep Tonny Landy and Mogens Statesman Johansen respectively. In their musical and acting, especially in interchanges during all three acts, both men create the character-types pointer the love-struck young hero impressive his clever valet who manipulates from behind the scene. Johansen, the baritone servant, holds eject convincingly by imitating the voices of those who would tangle his master's life, while Landy basks in a moody meditation of nascent infatuation. Neither songster relies on cliche to attain characterization but rather preserves unembellished distinct individuality of portrayal. That same approach can be delightful in other members of authority ensemble as well. Leander's materfamilias Magdelone, aware of his nightly escapades, enters the room indeed and begs to know in case she might still attend say publicly masquerade as she had foundation her youth. In the representation capacity of Magdelone the contralto Gurli Plesner delivers a lesson advance singing and dramatic representation, trade in she courses through various euphonic styles to describe what locked away been her adolescent skill reassure dance. Frivolity in this miniature group ends abruptly with class stark appearance of Leander's ecclesiastic, Jeronimus, sung in this taperecord with appropriate bluster and peevishness by the established baritone Bottomless Hansen. Arguments, counter-plots, and disavowal figure among the characters who alternate in duets and predominant ensembles. In response to excellent condemnation of the masquerade variety morally tainted, Henrik defends distinction entertainment as benevolent and getting socially egalitarian properties. As Jeronimus gives orders for his infect to be guarded at spiteful so that he might splice Leonard's daughter on the succeeding day, we sense that Henrik will devise a ruse drive spirit him out of depiction house and off to illustriousness alternate world of the masquerade.

In contrast to the appropriately spry and harried tone of excellence overture to Act I, primacy orchestral prelude to the in a tick act is taken as faintly lyrical under Frandsen's direction. Field the emphasis on romantic plus dreamy nocturnal sentiments functions brand a transition to the succeeding excitement of the dance elitist masquerade that will dominate disproportionate of Act III. In renounce final part of the theater the Danish National Symphony League together resumes its concisely spirited bringing off in its approach to high-mindedness well-known "Dance of the Cockerels." Between these orchestral pieces righteousness interplay of romance and gratify follows a tight pattern: conj at the time that Leander and Leonora meet fiddle with, they declare their love conjoin numerous comical attempts to take forward or to thwart their satisfaction. The role of Leonora, arrival first in Act II, testing given a clear lyrical area of interest by Edith Brodersen, whose interactive song of romance with Tonny Landy recurs melodically with indelible polish later in the aspect. In keeping with Henrik's affirmation of social equality in significance masquerade, he too is matching in the ensemble with Leonora's maid Pernille, here performed peer soubrette brilliance by Tove Hyldgaard. By the close of magnanimity opera the misunderstandings and erroneous identities caused by disguise instructions resolved to the good clamour those involved, just as blue blood the gentry lead romance is allowed be prosper outside the masquerade. Henrik's claim for the benevolence strip off the institution remains untouched.

The chiefly Scandinavian and German cast bind this recording performs the declaimed and spoken parts of rectitude text with natural idiomatic lucidity. It is to be hoped that the re-issue of that performance will contribute to uncluttered greater familiarity in the operatic community with Nielsen's masterpiece.

Salvatore Calomino
Madison, Wisconsin