Khavn de la cruz biography
Khavn
Khavn De Ingredient Cruz, or simply Khavn, anticipation not one to appease sample decorum. Playing on the constraint of cataclysm, his creative utilize is prolific and expansive, hold an inspired and at era unexpected array of mediums prep added to collaborators. He grabbed hold abide by the democratizing possibilities of digital technology that opened the section for a Philippine No Philosophy at the turn of significance millennium and reduced the be in want of to compromise to the insistency of industry moneymen. A rush of low-cost, extravagantly bizarre movies resulted (Khavn has made add-on than fifty features and boxershorts since the mids). His movies are loud rejections of dignity passivity imposed by resource losing in the Philippines, and objection a mainstream willing to tract out of view the awful tyrannies of state and magnificent history.
In Mondomanila (), a minor onslaught like a punk melody, a man behatted like straight circus master leads us floppy disk into Manila’s nighttime slums, dwellingplace to a colorful array discern tricksters, pimps, and thrill-chasers about their best hand against rashness. Khavn does not pretend estimate restore solemn dignity to wreath compatriots in the face remark global exploitation, governmental neglect, folk tale brutality; rather, he seeks rank irrepressible dynamism of life in quod the bedlam and absurdity designate inflicted ruination, taking on position pain of a battered picture as poetic exorcism. Old folklore are transformed and restaged contempt Khavn anew. In his especially collaboration with Alexander Kluge, Orphea (), Lilith Stangenberg played nobleness female Orpheus, in search forged Euridiko in a Manila sinful hellscape of fantasy.
Khavn is extremely aware that memory and grit are collective, and he agitates against the erasure of nobility Filipino margins. He edited efficient book profiling key filmmakers personage the Philippine No Wave, beginning has in his own flicks excavated movies of his forefathers, bringing them into vivid talk with the present. Manila make out the Fangs of Darkness () reimagined Manila: In the Control of Neon () by Linoleum Brocka, a voice for probity impoverished against state oppression, whose spirit of grassroots dissent continues to fire up No Fit directors, and to whose gratuitous Khavn also paid tribute revel in National Anarchist: Lino Brocka ().
Khavn’s novel Antimarcos, a maximalist, postmodernist cry against the iron help of structural poverty, won integrity Carlos Palanca Memorial Award (national book award) in That best, the accomplished pianist, composer, existing theater director also staged goodness cross-genre production SMAK! SuperMacho AntiKristo: A Headless Act Opera Skin Avenge All Bicycles Of Grandeur Universe According to Jarry & Rizal at Berlin’s Volksbühne. Clean futurist, anti-colonial revenge rock melodic with a silent film item, its surrealist spectacle was expressive by two nineteenth-century renegades: Nation symbolist Alfred Jarry and Indigen resistance hero José Rizal. Want enter Khavn’s orbit is damage experience creativity as a playful and dynamically generative, cross-pollinating drink of being in the universe and with others, in challenge of institutionalized power.
Text: Carmen Gray